This piece was originally displayed in Alison Kinnaird’s solo exhibition at the Bluecoat Display Centre, between 29 August – 3 October 2015. It features a wheel engraved wintery scene of trees and mountains in the distance.
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Alison’s artist statement from the 2015 exhibition:
“Glass is a seductively beautiful medium. It has a more versatile nature than any other material. It can be made to resemble stone, water or metal, ceramic, gems or textiles. It can be solid or liquid, transparent or obscure, smooth or textured, heavy or apparently weightless. But it is in partnership with light that glass comes alive. It is then glowing and brilliant, reflective and refractive.
These qualities suggest the images to me, created by copper wheel engraving, a technique which has remained basically unchanged for two thousand years. Wheel engraved images have a gem-like precision and delicacy, and a subtlety of modelling which is impossible with any other technique. It is superlative for detailing the play of muscle and the velvet sheen of skin. The human figure is the main subject of my work. Male or female, they are clothed or unclothed, and thus are not tied to any particular era for fashion. Glass has a timeless quality, technically still liquid, yet frozen motionless for the moment.
My inspiration is firmly rooted in Scotland, though the references may not be literal or specific. The starkness of the landscape, the relationship of air and water, and recurring images of standing stones and boats, all carry symbolism on a number of levels, both personal and universal.
Light and colour have recently added a new element to the pieces. I have found that the use of sandblasting with copper wheel engraving gives a freedom and immediacy to the treatment of the subjects, giving the engraving a painterly quality. Combining small elements into a larger whole means that pieces can have an architectural scale, without sacrificing the sculptural quality or delicacy of details which is characteristic of wheel engraving.” – Alison Kinnaird
One of the world’s leading glass artists and engravers, with work in public, royal and private collections throughout Europe, America and the Far East, Alison’s glass ranges from small intimate pieces to large-scale architectural installations which incorporate light and colour. A recipient of many awards and winner of many competitions, her creative contribution was recognized in 1997, when she was presented with an MBE for services to art and music.